Skip to content
Saturday, October 17, 2026
Explore cutting-edge eco-friendly technologies and practice…

Film Analysis: Band Frontman Jason Williamson Takes On Role in Sceptical Examination at 90s Rave Culture

The work of Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

Game is in British and Irish cinemas from 17 November.

Written by

Patricia Prince

A seasoned betting analyst with over a decade of experience in sports wagering and casino strategies, dedicated to helping players make informed decisions.

Green Innovators

Type to search articles.